"Please download and cut the tracks up in segments and add some Shannon to them then send them back to us."
I listened to the track and copied it into Garageband. In the meantime, I used High-C to generate some loops that I might use in the piece. I started generating sounds in High-C by using "Alice" as a basic structure and point of departure. Working with the alphabet series in mind, I quickly wrote out the name and began to copy, paste, sequence, and invert the text to come up with the following spontaneous pattern. At this point I worked quickly, visually, and intuitively to generate material.

Alice 1 by bledwhite
From there, I cropped one section and copied it into another file in order to try to develop an interesting sounding pattern and/or discern certain parts that had an interesting sound quality:

Alice 2 by bledwhite
While listening to the above sequence I found one small part interesting and decided to replicate it into a sequence. I also added different colors for different pitches using the Show Pitch with Color option under the View tab:

Croak FFF by bledwhite
I liked both the look of the simple "F" pattern and the dirty rhythmic croaking sound that was developing. I removed the pitch colors and began working to further develop the pattern visually and to create a longer slightly more complex sequence:

Sounds like:
Croak FFF modulated sequence by bledwhite
At this point I was working both visually and in terms of sound. I decided I liked the kind of purring sound that was emerging in with the croaking locusts and worked to build that development. Visually I was interested in creating a more dense pattern with color.

Croak FFF modulated sequence derivative by bledwhite
Once I finalized the above sequence I made it into a Pattern using the option under the Effects tab:

Croak FFF modulated sequence derivative looptest by bledwhite
Finally, I made the above sequence into a Waveform using the option under the Effects tab. With this, I copied the wave and layered it in different keys on top of one another. The visual data is lost and I am left with three modulating bands of color. It's interesting because these most simple visual forms equate with the most complex of the entire soundscape development.

Croak FFF modulated sequence derivative looptest waveform by bledwhite
I will use some combination of these sound files in the ONO collaboration and also in some other solo pieces. For example, I really look forward to using the basic Croak-FFF as the bottom to a _bledwhite_/Leatherettes song.
All original images, text, soundtracks, etc. that constitute the blog, "bledwhite" by Shannon Rose Riley are licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. For more information, contact the artist at misstranslation@gmail.com
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